Tuesday, July 21, 2015

Blog Tour

The Possibility of Snow has been making the rounds. Here's what book bloggers are saying:

“In the end, you may feel both a sense of loss and peace, but also anger. Whatever your reaction to this work, it will be visceral.” 
— Naomi Leadbeater, Naimeless

“I loved the story and the way it was handled ... this was an honest, real, emotional and very well written book.” 
— Bri Wignall, NaturalBri

“The Possibility of Snow reminds us what it is like to develop a new relationship and all of the emotions involved. [It] keeps you turning the pages as Al Riske pushes the limits with the friendship of these two characters.” 
— Rachel Rennie, Rachel's Blog

“The author does a great job of showing the boundaries of new friendships and what happens when those boundaries are crossed.” 
— K.M. Hodge, In Review

“The ending blew me away! This book will challenge the way you think.”
— Avid book reader, Granny Loves to Read

Thursday, July 2, 2015

Taking Readers Through Highs and Lows

Stellar review from a writer I admire ...

Al Riske has a rare talent for connecting the reader to complex emotions. The Possibility of Snow showcases that talent – taking readers through highs and lows – and excels at evoking all the difficult-to-label feelings in between.

— Jay D. Gregory, author of Cry of the Phoenix 

Wednesday, April 1, 2015

First Review of New Novel

"In a deceptively simple tale of friendship, Al Riske does a great job of exploring the boundaries of what we can expect from and be to each other."
- J Clement Wall

See her full review on Goodreads.

Friday, March 20, 2015

The Limits of Belief and Forgiveness

As I look back, I see that I've often written about missteps and misunderstands, crossed signals and bad timing, usually between men and women. In The Possibility of Snow, it's two guys. 

They become friends and then, well, not.

Big deal, right? Guys tend to become friends almost by accident—some combination of shared circumstances and sensibilities—and drift apart as easily as they came together.

The central characters in The Possibility of Snow, Steve and Neil, meet in college, where, away from home for the first time, guys find themselves in need of new friends as never before (and perhaps never again, not with the same urgency).

It's also the place and time in which we are all looking to define ourselves, to decide what and who we want to be.

The combination of similarities and differences that bring Steve and Neil together makes it hard for them to either stay friends or simply go their separate ways. Each is unlike anyone the other has ever known. 

To me, that dynamic proved fascinating, mystifying, and ultimately unsettling.

Through their story, I found myself exploring the limits of loyalty, compassion, belief, and forgiveness. 

See what you think.

Monday, March 9, 2015

Dust-jacket Preview

Totally thrilled with the design of the dust jacket to my first hardcover novel, coming May 1 from Luminis Books. Click to enlarge.

Thursday, February 19, 2015

First Blurb for New Novel

“In The Possibility of Snow, Al Riske explores the boundaries of male friendship, inviting the reader to consider the limits of loyalty, companionship, and love.”
— Barbara Shoup, author of An American Tune and Looking for Jack Kerouac

Monday, October 20, 2014

A Moveable Feast

I've been reading the Additional Paris Sketches in the restored edition and the Forward and the Introduction by Hemingway's son and grandson, Patrick and Sean, respectively.

It's easy to see why the additional sketches were not included before. They're not very good. It's also easy to see why they are included now. They're still pretty interesting even if they're not very good. The really interesting part, though, is comparing edited stories with restored versions: what was gained or lost or regained.

Usually both versions are good in different ways and it's hard to say which is better.

The Fragments included at the end are quite sad, showing Hemingway's repeated attempts to write an introduction to the book. (The previously published introduction was apparently fabricated by Mary Hemingway, his wife at the time.) Though each attempt contains some spark, all in the end fail miserably.

Though people persist in referring to A Moveable Feast as a memoir, Hemingway clearly considered it a work of fiction, saying: "All remembrance of things past is fiction."

Perhaps it should go without saying that memoir is simply a genre of fiction.